Scat singing definition
Scatting is usually performed by singers who have mastered their voice so they can sing without using any word (it’s also called scat jazz, vocal jazz and also “nonsense syllables” if you’re particularly spiteful of this stuff).
Singing scats is a form of singing used mainly within the context of Jazz music. Scating involves using nonsensical sounds instead of actual lyrics, those noises are called “scats” and they serve no purpose except to express emotion through sound.
Scat singing began around 1920, but was considered too vulgar at the time. Scatting involves using words instead of notes during performance. To do this they used nonsense syllable combinations like “di du da dum di dee” or just plain old gibberish. These songs often included wordless vocals accompanied only by hand claps. They were usually performed live and improvised upon.
Singing along to songs has been around since ancient times. Scatting was developed during slavery days in America. Singers would sing spirituals and work chants at night time using only words they knew well.. Today, many artists still incorporate scats into their performances and is common in jazz but also has some examples in pop music and hip-hop songs.
Major characteristics of scat
Using meaningless words to create a rhythmic pattern or melodic line in the song.
Scat singing has been around since ancient times; however, modern scat singers often incorporate elements of hip hop into their performances. Scatting involves using words instead of music notes to sing along with a beat.
This style is often used by singers to develop melodies and harmonies prior to adding vocals, and are usually sung over chord progressions rather than written notes. They’re typically performed using syllable sounds like /ta/, /da/ etc., but they don’t necessarily follow any rules.
Vocals are songs sung using only predetermined lyrics; they’re often used in musical theatre productions but aren’t usually heard outside those contexts. Vocalese differs from vocabularies like Scat singing, which involves improvisation over existing vocabulary.
Used often as a means to induce humor in an otherwise serious piece of music or song.
Origins of scat singing: Who invented that?
“Singing scats” is a musical genre created by African American musicians. They were called “scat singers” because they sang songs using words written down but sung backwards. .
Where did scat singing originate in Jazz music?
Scatting has been around since at least the early 20th century. Early recordings include those made by blues singers Bessie Smith and Ma Rainey. They were accompanied by musicians like Jelly Roll Morton and Louis Armstrong. Scatting involves using words instead of notes to sing melodies. That means musicians don’t play chords; they just improvise over whatever melody someone else sings.
The one that is officially credited as the “founder” of this practice (or at least the one that brough the “modern” version of scat technique), though, is Louis Armstrons: there is an anecdote about the recording of the hit song “Heebie Jeebies” and about the drop of a music sheet that forced Armstrong to improvise because he didn’t want to stop playing and singing in the middle of a recording session.
As he then stated:
Another famous song of Armstrong with that technique is also “Hotter than that“.
Jazz legend Louis Armstrong was famous for singing scats; he would often improvise lyrics over instrumental passages using only sound effects like “wah wahs” and “ooh ooos.” He used these techniques to expand his range beyond just speaking words into song form.
MODERN SONGS USING SCAT
- Serpentwithfeet – Same Size Shoe
- Stevie Wonder – Another Star;
- Beyoncè – I care;
- Jack White – I-de-ho;
- Eminem – Who Knew;
- Korn – Freak on a Leash;
- Jason Mraz – I’m yours;
- SL2 – On a Ragga Tip
